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Art That Is Common With the Civil Rights Movement

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are y'all know a lot near the men who "divers" their mediums. As with other subjects, most of what we acquire about fine art history today yet centers on white men from Europe and, subsequently, the The states. In reality, at that place are and so many more artists of all genders to learn from and capeesh.

Hither, nosotros're specifically taking a look at but some of the women who have had lasting impacts on their art forms. From some of the art earth's about iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, still accept a hand — in changing the globe of fine art and how nosotros define information technology.

Laura Wheeler Waring

Laura Wheeler Waring'southward portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than xxx years. Later on studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman's Untitled Motion-picture show Stills (1977–80). serial. Photos Courtesy: Museum of Modernistic Fine art (MoMA)

Lensman Cindy Sherman was role of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Film Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of various generic female film characters, amongst them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Slice, 1964, and a picture of the installation Half-A-Room, 1967, equally seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might start think of Yoko Ono as a musician and activist, but she'due south also an accomplished performance and conceptual artist. Ono was considered a pioneer in the operation art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cutting Piece, was a performance she first staged in Nippon; Ono sat on stage in a nice conform and placed scissors in forepart of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut away pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't do information technology, I start to choke."

Betye Saar

Betye Saar's Blackness Girl'southward Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in turn, role of the trajectory of fine art history.

Saar was part of the Blackness Arts Movement in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to wait at a work of art, then you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It'southward rare to discover someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes similar death and identity through her self-portraits. Kahlo ofttimes used bold, bright colors to create her symbol-rich works, and was regarded equally one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she'south as well known for her hyper-real sculptures, polka dots, installations, and and then much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which apply mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Erstwhile First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, frequently doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's piece of work — and her signature grayscale peel tones — equally she was the first Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a work from her series, Pelvis Serial Ruby With Yellow in Albuquerque, New United mexican states. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'southward landscapes, flowers, skulls, and, merely maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York fine art globe, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Panthera leo for best artist in Okwui Enwezor's biennial exhibition All the Globe'due south Futures, function of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics past demanding the audience to confront truths nearly themselves. She ofttimes challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed every bit a Black man with a simulated mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in forepart of a photo in her exhibition Our Firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to study fine art in Los Angeles, California — before the Iran Islamic Revolution took identify. She is best known for her photography, film, and video work, much of which explores the relationship betwixt Islam's cultural and religious systems and women. Moreover, Neshat's works oftentimes create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual creative person, Jenny Holzer'due south work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such as trauma, knowledge, and promise. 1 of her more notable works, I Scent You On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore'due south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the Showtime Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic North American culture. In 2005, she was the start Indigenous woman to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is meliorate known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Little Gustatory modality Exterior of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces frequently examine the role of women in history and civilisation — in the 1970s and earlier. While at California State University in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Art/Wikimedia Eatables

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In improver to creating breathtaking sculptures, oft of Blackness folks, Roughshod founded the Fell Studio of Craft in Harlem in 1932, and, a few years subsequently, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "trunk art". (Only await upwardly her virtually famous work, Interior Scroll, and you'll encounter what we mean.) She used her body to examine women'southward sensuality and liberation from the oppressive artful and social conventions established past our patriarchal social club.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional power relations. In improver to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art civilisation.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'south last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War Ii.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November eight, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the historic period of ix. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys ability and respect past evoking traditional Renaissance portraiture.

micha cárdenas

However from Sin Sol (No Dominicus) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Bear on Award at the Indiecade Festival in 2020 and the Artistic Accolade from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and fine art to address global issues such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who as well specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Administration (WPA).

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